VIRTUAL  SCULPTURE    電腦 藝術家 先驅   P A  U  L     H  I  G  H  A  M 

      

         RESUME

reREAL-TIME  DATA PROJECTION

Hog Futures / Aeolian Bayesian Series  

 

©   PAUL HIGHAM   97

   A D A   Microdisney  Series

  DATA  SCULPTURE   COPYRIGHT         

 

            THE HEART SUTRA TSUNAMI ALGORITHM 

 

                                    

TODAY BEJING ART MUSEUM   0CT 08

MOCA MUSEUM SHANGHAI      NOV  08

TBA

 

 

 

  

 stl  rapid prototype  1995   Synthesizing Liberty   1998 -2004
     

 

 " At  this time a  radical  new  paradigm in Conceptual 

 art  is  in evidence  with the emergence of  Real time dynamic computational 

Self-Organising  systems  in  Sculpture."...towards a new sculptural paradigm 96 ..Paul Higham.

   

taken   from  the catalog  INTERNATIONAL RAPID PROTOTYPE   Show  2002

  In harnessing  REAL TIME COMPUTATION  the work self-generates, evidences and evolves under

its own complexity as I propagate or cull the works as “Abstract proofs” of synthesis, evolution

and  Autonomy: An emergent ‘Footprint’ of development in virtual space; in the same way a tree,

flower or fish is a recording of it’s own evolution, evident signatures of their own trajectory,

deposition and synthesis over time: form   follows  function  

 

 
     

©  PAUL HIGHAM   97

 DATA SCULPTURE a definition
Datasculpture  are  computational works that deal with the commodification of information and dynamics of data itself, in this instance they are real time samples of Data streams harvested and mined

from the Dow Jones index; these discrete "grains" of data aggregate and self organise, eventually developing into vectoral forms that can have concrete sculptural outcomes

 thereby showing the flux and dynamics of data and societal transformations in real time 

materials are often listed as “code / cpu ” referencing the computation that parses the symbols into forms

The works are output in multiple formats as cnc  or rapid prototype or purely in virtual  flux the dimensions are often “variable”

    Central to my practice is engagement with the consequences of Autopoiesis; I build generative coding systems or sample grains of data from real world sources that can evolve in real-time as tangible sculptural form or remain in their virtual “flux” state: 

SPACESAMPLING :Real world sampling evidences  Real time computational Sculptural outcomes:
dimensional and discrete sampling using time of flight 3d scans that I synthesize  with Noise and DSP / Mined data or structural sources
 

AUTOTECTURE  : Self Organising systems

here I am concerned with forms and systems that “self-generate, evidence and evolve under their own complexity” using a process I call Autotecture. Preferring to generate work from coding data mining and algorithm  my work makes a departure from the traditional retinal/hand / 3d modelling.conjunction. I am therefore working with the  Consequences of  direct engagement with complexity in a generative system that affords the emergence in real time of  “Vectoral  Automata”  as sculptural form
At any stage of their divergent development one may propagate or  cull  works as  “Emergent Proofs” of  autonomy,  .
On a smaller scale woven into this process  are the underlying  protocols of data transfiguration in discrete abstraction.{Chrono-abstraction} Therefore, conceptually I posit that a work of art can be truly autonomous ,being machine agency constructed  and continuously self organizing, whilst retaining the iconic presence of the plastic form.
 

    
                                                                                           DATASCULPTURE ©  series    H I S T O R I C A L                                                                                                                                                                                           

Self _Organising  Sculpture

screenshot  " R A U M P R O B E N "   1997

 

     

 

     

 

 

scroll

 " R A U M P R O B E N " /  spacesampler series       Commissioned  by  STEVE DEITZ & New  Media  Initiative  WALKER  ARTS CENTER USA SUMMER 1997

 

" U N H A P P Y   D O W J O N E S "

/  WEIGHTED TENSOR INTERNODIUM / A REAL TIME NON VERIDICAL REPRESENTATION OF A DATA STREAM   1998                                                                                                                                                

DATASCULPTURE ©     

       
 

SATELLITE OIL FIELD  /  MINED  DATA /  CUSTOM  BUILT  CNC  /  cpu / GA -CODE /chrome cast  iron      

 

  / TIME SAMPLE  DELTA SERIES /   HT:3.6 WDTH:3.4  BDTH:4 FT   /      Self-Organising        Autoplastic     UNMODELLED        REAL TIME    COMPUTATIONAL       GENERATION  
       
  "NOISY & UNFILTERED SERIES                           U N M O D E L L E D  
     
 
          *               REAL TIME  COMPUTATIONAL   GENERATION         * 

                                                                                                               " DOW    DESCENDING   $INDU "   99

Autotecture  SERIES    

                                                      

                                                                                                          

                  DatasSonification©                 

      2002  Contemporary Arts Center New  Orleans gallery screenshot  of     real  time  flux   ▼     Stereohedral   PLOT /  SYNTHESIS  of  ANGOLA  OIL  FIELD  +  MRI of BEATING  DOGS  HEART    

 

          

      3D       stereohedral                     Oil  +  Gas  Futures  Domain                                                    

VIRTUAL  SCULPTURE                                                                                                                                                                                          

      

TIMe SAMPLE plot   / DELTA SERIES / BETA  ANGOLA  DELTA /  stl   ht:4.6ft  width:2 ft   brdth:2ft   

           

DATASCULPTURE  ©          below            

NOISY & UNFILTERED SERIES             Unfiltered Series               "Synthesizing Liberty"                               U N M O D E L L E D  

         

 1998  TITLE:     "Synthesizing Liberty /  Project  1998 - 2002  /  detail / code/ algorithms /mined dataa/Autoplastic Datacloud   c

MAT:    custom built /cnc/cast iron / synthesis : satellite /  futures/ self-organising / ga code/ 1998 - 2002  Scanning   ceased  after  9/11 /01       ht: 5ft.4   wdth: 3ft   bth: 3ft6ins                    

    DATASCULPTURE 雕塑 資料 All rights reserved ©                                                  

 

_________________________________________________________________________________________________________________________________________________________________________________________________

 

DATASCULPTURE :   Flat  2  andahalf  D  Granular Series  2006     

      Aeolian  Bayesian  Dipole Sequencer

                 

Hog Futures / Aeolian Bayesian Series  

Ab Hoc  Video 

 

Improbable Loopy Belief

 

 

Melanchaeolian Dipole  

 

Flat Granular Series  IV :  Form   follows  self  organising   Functions

Autotecture Statement

 UNMODELLED REAL Time COMPUTATIONAL work self-generates, evidences and evolves under its own complexity

    

               INTERVIEW 

Edition #16: Discussions with Visual and Sound Artists
listen | listen with RealPlayer
First broadcast March 6, 2006

Host
Daniel Durning speaks with digital sculptor Paul Higham who has been working with computer technology for over 20 years. Paul discusses Datasculpture [c] and other projects including tele-manufacturing shared by artists located across the globe. He also speaks about the tragic circumstances surrounding his visit to New York and the devastation caused by Hurricane Katrina to his digital studio: International Sculpture Works in New Orleans this past September.

Paul Higham is a long time new media artist, born in the UK and living in the United States since the early 70's. While studying at Goldsmiths College of Art London University, his endeavor has remained to propagate a new form of sculpture based on self-organizing theories of artificial life. He is a pioneering advocate of computers in sculpture and Rapid Prototyping.


 

 Thanks  To : Hewlett Packard, USA/Europe, Honeywell, AT&T, MathEngine , Sensable , Stratasys , Delcam, World Tool Kit, Ascension Corp, Vpl, British Arts Council.

Selected Press   with photo reproductions: Leonardo magazine, Sculpture magazine, New York Arts magazine, The Boston Globe, Arts Review, Contemporary Art & the Mathematical  Instinct ,Research Review ,LondonIndependent ,Leonardo Electronic Almanac

article on spacesampling http://citypages.com/databank/21/1032/article8967.asp 
 

Representation Contact  917 685 7733

©   DATASCULPTURE   PAUL HIGHAM   97  雕塑 資料   

 

Advanced Research Lab Residencies 1995 -- 2005

Human machine design lab

 

  click here for Printable RESUME

Human factors VR  lab

Advanced visualization lab

University of Minnesota 

Recent SELECTED GROUP EXHIBITIONS
2003-2006
I
nternational Rapid Prototyping Sculpture Exhibition
Southwestern University, Austin, TX, traveling to New York Institute of
Technology, New York, NY, Yeditepe University, Istanbul, Turkey,
Manchester Metropolitan University, Manchester, England, University of
Houston at Clear Lake, Clear Lake, TX, Kemper Room Gallery, Illinois
Institute of Technology, Chicago, IL, Zoller Gallery, Pennsylvania State
University, University Park, PA, DAPP Gallery, College of Design,
Architecture, Art and Planning, University of Cincinnati, Cincinnati, OH,
Robert V. Fullerton Art Museum, California State University, San
Bernardino, CA.

 A>I JOE    1995 SOAP FACTORY MINNEAPOLIS USA

SOLO  SHOW        DATASCULPTURE 2000 CONTEMPORARY ARTS CENTER NEW ORLEANS /pt of Siggraph /

SOLO  SHOW      Jonathan Ferrara Gallery New Orleans  nov 2003

Digital Art, Gallery  DAK'ART,Keur Thiossane Villa pour les Arts Multimedia, Senegal,Africa.
International Symposium of Interactive Media Design4, Digital Art Exhibition, Yeditepe University Istanbul Turkey

Unitec Institute of Technology Gallery, Auckland, New Zealand
Intersculpt 2003 ,FNAC Digitale, Paris, France
TeleSculpture 2003 Exploratorium Museum, San Francisco, CA and Arizona State

http://telesculpture.prism.asu.edu/

 University, Tempe, AZ

 InterSculpt2001, Archetype Gallery, Dayton, Ohio, USA.,

.InterSculpt2001, Sargeant Gallery Wanganui New Zealand.

                                                                     

      INTERVIEW 

Higham Bio  電腦 藝術驅

 http://www.sculpture.org/ 

MARCH 18-MAY 13, 2006
International Rapid Prototyping Sculpture Exhibition

Reception: Thursday, April 6, 4:30-7 p.m.
Preview for Friends of the Museum: 4 p.m.
Robert V. Fullerton Art Museum
(Mueller and Ellis Galleries)
California State University, San Bernardino
5500 University Parkway
San Bernardino, CA 92407-2397

Exhibition sponsored by 3D Systems Inc. & The Sarofim School of Fine Arts of Georgetown, Texas                                                                                                                                                                

 

 

 

 

 

 

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