©
PAUL HIGHAM
97

from the Dow Jones index; these discrete "grains" of data aggregate and self organise, eventually developing into vectoral forms that can have concrete sculptural outcomes
thereby showing the flux and dynamics of data and societal transformations in real time
materials are often listed as “code / cpu ” referencing the computation that parses the symbols into forms
The works are output in multiple formats as cnc or rapid prototype or purely in virtual flux the dimensions are often “variable”
Central to my practice is engagement with the consequences of Autopoiesis; I build generative coding systems or sample grains of data from real world sources that can evolve in real-time as tangible sculptural form or remain in their virtual “flux” state:
AUTOTECTURE : Self Organising systems
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DATASCULPTURE
© series
H I S T O R I C A
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R A U M P R O B E N "
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spacesampler
series
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Commissioned by
STEVE DEITZ & New Media Initiative WALKER ARTS
CENTER USA SUMMER 1997
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& UNFILTERED SERIES
U N M O D E L L E D
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REAL TIME COMPUTATIONAL GENERATION *
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▲ Autotecture SERIES
▼ DatasSonification©
2002 Contemporary Arts Center New Orleans gallery screenshot of ▼ real time flux ▼ Stereohedral PLOT / SYNTHESIS of ANGOLA OIL FIELD + MRI of BEATING DOGS HEART
3D stereohedral Oil + Gas Futures Domain
VIRTUAL SCULPTURE

TIMe SAMPLE plot / DELTA SERIES / BETA ANGOLA DELTA / stl ht:4.6ft width:2 ft brdth:2ft ▲
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DATASCULPTURE © below ▼
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NOISY & UNFILTERED SERIES Unfiltered Series "Synthesizing Liberty" U N M O D E L L E D |
1998 TITLE: ▲ "Synth
esizing
Liberty / Project 1998 - 2002 /
detail / code/ algorithms /mined data
a/Autoplastic Datacloud
c
MAT: custom built /cnc/cast iron / synthesis : satellite / futures/ self-organising / ga code/ 1998 - 2002 Scanning ceased after 9/11 /01 ht: 5ft.4 wdth: 3ft bth: 3ft6ins ▲
DATASCULPTURE 雕塑 資料 All rights reserved ©
DATASCULPTURE : Flat 2 andahalf D Granular Series 2006 ▼
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Aeolian Bayesian Dipole Sequencer
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Hog Futures / Aeolian Bayesian Series Ab Hoc Video
Improbable Loopy Belief
Melanchaeolian Dipole
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Flat Granular Series IV : Form follows self organising Functions
UNMODELLED REAL Time COMPUTATIONAL work self-generates, evidences and evolves under its own complexity
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| Edition #16: Discussions with Visual and Sound Artists |
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listen with RealPlayer
First broadcast March 6, 2006 Host Daniel Durning speaks with digital sculptor Paul Higham who has been working with computer technology for over 20 years. Paul discusses Datasculpture [c] and other projects including tele-manufacturing shared by artists located across the globe. He also speaks about the tragic circumstances surrounding his visit to New York and the devastation caused by Hurricane Katrina to his digital studio: International Sculpture Works in New Orleans this past September. Paul Higham is a long time new media artist, born in the UK and living in the United States since the early 70's. While studying at Goldsmiths College of Art London University, his endeavor has remained to propagate a new form of sculpture based on self-organizing theories of artificial life. He is a pioneering advocate of computers in sculpture and Rapid Prototyping. |
Thanks To : Hewlett Packard, USA/Europe, Honeywell, AT&T, MathEngine , Sensable , Stratasys , Delcam, World Tool Kit, Ascension Corp, Vpl, British Arts Council.
Selected Press with photo reproductions: Leonardo magazine, Sculpture magazine, New York Arts magazine, The Boston Globe, Arts Review, Contemporary Art & the Mathematical Instinct ,Research Review ,LondonIndependent ,Leonardo Electronic Almanac
article on spacesampling http://citypages.com/databank/21/1032/article8967.aspRepresentation Contact 917 685 7733
© DATASCULPTURE PAUL HIGHAM 97 雕塑 資料
Advanced Research Lab Residencies 1995 -- 2005
Human machine design lab
click here for Printable RESUME
Human factors VR lab
Advanced visualization lab
University of Minnesota
Recent
SELECTED GROUP EXHIBITIONS
2003-2006
International
Rapid Prototyping Sculpture Exhibition
Southwestern University, Austin, TX, traveling to New York Institute of
Technology, New York, NY, Yeditepe University, Istanbul, Turkey,
Manchester Metropolitan University, Manchester, England, University of
Houston at Clear Lake, Clear Lake, TX, Kemper Room Gallery, Illinois
Institute of Technology, Chicago, IL, Zoller Gallery, Pennsylvania State
University, University Park, PA, DAPP Gallery, College of Design,
Architecture, Art and Planning, University of Cincinnati, Cincinnati, OH,
Robert V. Fullerton Art Museum, California State University, San
Bernardino, CA.
A>I JOE 1995 SOAP FACTORY MINNEAPOLIS USA
SOLO SHOW DATASCULPTURE 2000 CONTEMPORARY ARTS CENTER NEW ORLEANS /pt of Siggraph /
SOLO SHOW Jonathan Ferrara Gallery New Orleans nov 2003
Digital Art,
Gallery DAK'ART,Keur Thiossane Villa
pour les Arts Multimedia, Senegal,Africa.
International Symposium of
Interactive Media Design4, Digital Art Exhibition,
Yeditepe University Istanbul Turkey
Unitec Institute of Technology Gallery,
Auckland, New Zealand
Intersculpt 2003 ,FNAC Digitale, Paris, France
TeleSculpture 2003 Exploratorium Museum, San Francisco, CA and Arizona State
http://telesculpture.prism.asu.edu/
University, Tempe, AZ
InterSculpt2001, Archetype Gallery, Dayton, Ohio, USA.,
.InterSculpt2001, Sargeant Gallery Wanganui New Zealand.
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MARCH
18-MAY 13, 2006 Exhibition sponsored by 3D Systems Inc. & The Sarofim School of Fine Arts of Georgetown, Texas
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all rights reserved Paul Higham ©